This past November saw the installation of a public art project that will change neighbourhoods across Toronto. In 2008 the Toronto Transit Commission invited artists to participate in the St. Clair Avenue West Transit Improvements Project (SCW) Public Art Program to provide visual art for the, then, almost-constructed dedicated transit line along St. Clair Avenue West. The streetcar stops adorned with art panels extend from Yonge St. to Keele St. As an avid supporter of Toronto’s public transit development plan “Transit City” I was more than flattered, I was delirious at the idea of my artwork sharing the street with a light-rail transit line. Of the two designs I submitted, both were awarded the honor of their very own street car stop. I was awarded one commission for a design called “here today, gone tomorrow” which was installed at the Earlscourt Ave. platform and the other commission was awarded to Aaron Oussoren and myself for our collaborative work “One Among Many” which is at Arlington Ave. After two years, many drafts, endless emails and lessons learned I can honestly say I am still delirious at the idea of my (and Aaron’s) artwork sharing the street with citizens, streetcars, locals, commuters, traffic and bikes. It’s a brilliant opportunity and a two year story that I won’t soon forget. Click on either image for further coverage of each project.
Here Today, Gone Tomorrow - Earlscourt Ave. Streetcar Stop - Toronto
One Among Many - Arlington Ave. Streetcar Stop - Toronto
After two years in progress, the installation day was climactic to say the least. After studying the imagery and knowing the installations inside out and backward, I was still a little startled by them in their finished context. Satisfied and a little amazed. Thank you to our posse of moms, sisters and friends that joined us to cheer on the installation. Your support is so sincere and touching.
I must say, it feels nice to know, for once, where my artwork lives, how it looks, and have the chance to visit it when I want. During the days we were mounting the project, I eves dropped first hand feedback from streetcar riders. . . so far so good.
I’m currently writing a short story/review of my experiences during this project and my thoughts surrounding public art, where I’m at and what I’ve learned. Stay tuned for that.
Each panel was hand lifted and fit into the armature.
This maneuver took a year off my life.
When the sun is low, it projects the work onto the sidewalk.
